A Thoroughly Anglophile Journal

The Queen's Speech

Today, May 9, 2012, Queen Elizabeth II opened Parliament.

The State Opening of Parliament is the ceremonial and official beginning of the parliamentary session, occurring on the first day of a new parliament session or shortly after a general election. The last State Opening took place on May 25, 2010, making the last session of parliament was the longest in 100 years. The State Opening is a symbolic reminder of the relationship between the monarchy and government.

In addition to formally opening Parliament, the Queen delivers a speech. Generally, this speech reviews the previous session and provide an outline for proposed legislation for the coming session. The Queen delivers her Speech from the Throne in the House of Lords with members of both Houses present. Following the Speech, both Houses began debating the speech, which culminates in a vote by the House of Commons. The House of Lords does not vote.

Queen's Speech 2012 at-a-glance: Bill-by-bill

The State Opening of Parliament is a ceremony loaded with historical ritual and symbolic significance for the governance. It is a rare occasion when all three branches of the government convene at the same time. 

Traditions surrounding the State Opening and delivery of a speech by the monarch can be traced back at least to the 16th century. To this day, an official search of the cellars occurs prior to the State Opening as a reminder (but also as a precaution!) of the Guy Fawkes Gunpowder Plot. For pictures of the extracted pages from the Lord Great Chamberlain’s Minute Book, Queen Victoria’s throne, and tickets to the State Opening for George IV see this page from Parliament's Archives.  

Posted by Rebecca Stauffer 

Celebrating Shakespeare

The end of April is the near-birth date of the great English poet and playwright, William Shakespeare. He was born in Stratford-upon-Avon and baptized there on 26 April 1564. His actual birthdate remains unknown, but is traditionally observed on April 23rd. 

Let us appreciate his birth through his great works. I present a few of my favorite passages from his plays and his sonnets. I’m a particular fan of the Dark Lady Sonnets: 

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In faith I do not love thee with mine eyes,

For they in thee a thousand errors note;

But 'tis my heart that loves what they despise,

Who, in despite of view, is pleased to dote.

Nor are mine ears with thy tongue's tune delighted;

Nor tender feeling, to base touches prone,

Nor taste, nor smell, desire to be invited

To any sensual feast with thee alone:

But my five wits nor my five senses can

Dissuade one foolish heart from serving thee,

Who leaves unswayed the likeness of a man,

Thy proud heart's slave and vassal wretch to be:

Only my plague thus far I count my gain,

That she that makes me sin awards me pain.

And with two scenes from two of my favorite plays:

Patrick Stewart as Macbeth:

And Puck’s final soliloquy from A Midsummer Night's Dream:

Posted by Rebecca Stauffer 

Rediscovering Britons: Demonstration of an Identity

As I mentioned in an earlier post, I've had reason of late to revisit events of British History. At a friend's request, I compiled an overview of British history from the Norman Invasion of 1066 to present day. This meant uncovering many aspects of British History and to do so I turned to an easy and comprehensive internet source: the BBC British History website. In stumbling around the BBC British History site for information, I came across an article about the Syon Cope. As a very amateur scholar of art history, I was immediately intrigued. What was this beautiful work of art? What did it mean for those who created it and who it was created for?

(download)

Click here to download:

rediscovering-britons-demonstration-of-an-identity-cDHeJHtznHbAGhnglIgb.zip (123 KB)

Copes, a semi-circular cape, are outer garments worn by priests for the celebration of Mass. The Syon Cope was kept by nuns in the sixteenth century in the Syon Abbey in Middlesex, which was founded by King Henry V around 1414, and thus giving this Cope its name. The Syon Cope has embroidered on it scenes from the life of Christ and the Virgin Mary, with figures of the apostles. It is worked in silk, silver-gilt and silver thread, which entirely covers the linen background material. The figures are framed in overlapping units, based on the quatrefoil (a form with four lobes), which was a popular design in English architecture in the reigns of Edward I and his son Edward II.

The Syon Cope was acquired by the V&A. For additional details on the imagery in the Syon Cope, visit their site where you can find a comrphensive description and history of the Syon Cope.

The Syon Cope is an elaborate and elegant example of English embroidery, called Opus Anglicanum ('English work'). The English became famous for this particular kind of needlework that was done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds.

As with any work of art, Opus Anglicanum represents many aspects of English history, from Church pomp and pageantry to the status of artists and the importance of culture. It also came to represent the English in the form of an artistic rendering of Englishness.  

Such English embroidery was in great demand across Europe, particularly from the late twelfth to the mid-fourteenth centuries and was a luxury product often used for diplomatic gifts. Princes and potentates of Church and State wanted English embroidery. Diplomatic gifts of ecclesiastical embroidery by an English king emphasize its significance as a representation of high, and specifically English, achievement. 

Sources:

"The Nations of Britain: England - The Syon Cope",  Linda Wooley, BBC History website

"The Syon Cope", V&A website

Posted by Rebecca Stauffer 

Rediscovering the Britons: Henry II

I've had reason of late to revisit chronological events of British history. At a friend's request, I compiled an overview of British history from the Norman Invasion of 1066 to present day. This resulted in uncovering many aspects of British history that I haven't studied since my undergraduate coursework in college. It has been a fun project to rediscover people and events that I had either not known that much about or had forgotten.  

So why not start at the beginning with what could be argued by some as the beginning of the English state under Henry II, who ruled 1154 to 1189.

Posted by Rebecca Stauffer